Ph.D. (University of Maryland, College Park)
Email: email@example.com | Tel: 3943-6623 | Office: KKB 307
Katrien Jacobs is Associate Professor in Cultural Studies at the Chinese University of Hong Kong and the Program Director of the MA in Visual Culture Studies. She has lectured and published widely about sexuality and gender in and around digital media, contemporary arts and media activism. She moved to Hong Kong in 2005 and devotes most of her research to contemporary Chinese, Japanese and trans-Asian arts and media platforms.
She received two Hong Kong government-funded GRF grants; one to research the impact of Japanese animation cultures on social media and gender in Greater China (2010-2013), and one to research Chinese women’s cultural identities and affect around sexually explicit media (2014-2017).
Jacobs has authored three books about Internet culture and sexuality. Her first book Netporn: DIY Web Culture and Sexual Politics (Rowman and Littlefield, 2007) received critical claim amongst media scholars as a pioneering study of emerging web cultures that challenge government regulations and the aims of corporate expansionism. Her book People’s Pornography: Sex and Surveillance on the Chinese Internet (Intellect Books, 2012) investigates mainland China’s immersion in new trends in sexually explicit media. It was widely commented on in academia and the news media as a pioneering study of China’s unwieldy sex entertainment and surveillance society. A summary and reviews can be found here
Her most recent book The Afterglow of Women’s Pornography in Post-Digital China (Palgrave Macmillan 2015) focuses on feminist and queer media cultures of sexuality and activism that have defined Chinese gender controversies in the social media age.
Her work can be found www.katrienjacobs.com
Her full CV can be found here
Digital Media and Culture, Gender/Sexuality, Chinese and East- Asian Media, Contemporary Art, Social Movements
2015 The Afterglow of Chinese Women’s Pornography in Post-Digital China (New York: Palgrave Macmillan)
Reviews forthcoming in Sexualities, Porn Studies, Screen Bodies. Reviewed in Time Out Shanghai
2012 People’s Pornography: Sex and Surveillance on the Chinese Internet (Bristol: Intellect Books)
Reviewed in Chronicle of Higher Education, China Review, China Information, Participations, Danwei.org, Global Voices Online, CNNgo, Voice of America.
2007 NetPorn: DIY Web Culture and Sexual Politics (Boulder: Rowman and Littlefield)
2018 ‘Women’s Sex/Porn Sanctuaries and Social Movements in Hong Kong and San Francisco.’ In Porn Studies, Published Online March 7, 2018
2016 ’Out of Thousands and Thousands of Thoughts: Wandering the Streets of the Hong Kong umbrella movement.’ In Educational Philosophy and Theory, Published Online April 27 2016.
2016 ‘Disorderly Conduct: Feminist Nudity in Chinese Protest Movements,’ In Sexualities: Studies in Culture and Society, 19. 7, 819-835.
2016 ‘Hong Kong Women’s Queer Porn Tastes and Twink Bodies,’ In Reconstruction: Studies in Contemporary Culture 16.2, August 2016.
2014 ‘Internationalizing Porn Studies,’ In Porn Studies, Vol. 1-2, Routledge, pp. 114-119
2013 ‘Impersonating and Performing Sexuality in the Cosplay Zone.’ In Participations: Journal of Audience and Reception Studies, 10.2, Aberystwyth University
2012 (With Wan-Yin Lin and Ven-hwei Lo) ’To View or Not to View: Exploring the Influence of Social Networks and Subjective Norms on Online Porn Consumption,’ In Journal of Cybersociety and Education, 5.1, pp. 81-84.
2010 ‘Lizzy Kinsey and the Adult FriendFinders: An Ethnographic Case Study about Internet Sex and Pornographic Self-Representation in Hong Kong,’ Culture, Health and Sexuality, 12. 6, pp. 691 – 703
2009 ‘Sex Scandal Science in Hong Kong’ In Sexualities: Studies in Culture and Society,12. 5, pp. 605- 612
2009 ‘On the Japanese Doll Complex,’ In Intersections: Gender, History and Culture in the Asian Context, vol. 20
2007 ‘Academic Cult Erotica: Fluid Beings or A Cubicle of Our Own?’ In Cinema Journal,’ 46:3, pp. 126-133
2004 ‘Negotiating Contracts and Singing Orgasm: The New Media Schooling of the Amateur Pornographer,’ In Spectator , 24.1, pp.17-30
2004 ‘Pornography in Small Places and Other Spaces,’ In Cultural Studies,18. 1, pp.66-84. 1999 ‘Ruins of Performance Art in the City,’ (Co-author N. Rossiter) In Parallax. A Journal ofMetadiscursive Theory and Cultural practices, University of Leeds, 1999, pp.102-114
1999 The Lady of Little Death: Illuminated Encounters and Erotic Duties in the Life and Art of Maria Beatty,’ In Wide Angle, 19.3, pp. 12-41.
2018 (Forthcoming) ‘Send Them to Mars! The Eve of Trans-Localism and Radical Online Erotica in Hong Kong’ In James Welker ed. Queer Transfigurations: Boys’ Love Media in Asia.
2018 (Forthcoming) ‘Hong Kong Women’s Boys’ Love Protest and the Drifting Gaze’ In Women’s Manga in Asia: Uniting Different Cultures and Identities, Eds. Fusami Ogi, Kazumi Nagaike and Rebecca Suter (New York: Palgrave MacMillan)
2017 ‘Male and Female Idols of the Chinese Pornosphere,’ In Handbook of East Asian Popular Culture, Eds. Koichi Iwabuchi, Chris Berry and Eva Tsai (London: Routledge),pp. 202-212
2016 ‘Mainland Chinese Women’s Homo-Erotic Databases and the Art of Failure,’ In Handbook of New Media in Asia, Eds. Larissa Hjorth and Olivia Khoo, (London: Routledge)
2014 ‘Netporn: The Promise of Radical Obscenities,’ In Enrico Biasin, Giovanna Maina and Federico Zecca eds. Porn After Porn. Contemporary Alternative Pornographies, (Rome: Mimesis, 2014), pp.121-141.
2014 ‘Drifting Eyeballs: Trans-Asian Feminine Porn Tastes and Experiences,’ In Brian Bergen-Aurand, Mary Mazzilli & Hee Wai Siam eds. Transnational Chinese Cinemas, Embodiment, Corporeality, and Desire, (New York: Bridge21, 2014), pp. 225-247.
2014 ‘Undisciplining Porn Studies,’ In Lindsay Coleman and Jacob Held eds. The Philosophy of Pornography (London: IB Tauris, 2014), pp. 209-223.
2013 ‘Sexual Bodies and Surveillance Excess on the Chinese Internet.’ In Miyase Christensen and Andre Jansson eds ‘Media, Surveillance and Identity: A Social Perspective ‘ (New York: Peter Lang, September 2013), pp. 201-218.
2011 Book review, Elizabeth Heineman, Before Porn was Legal: The Erotica Empire of Beate Uhse, (Chicago: University of Chicago Press, 2011) In Gender Studies, 21.1.
2011 ‘On Isaac Leung, Cyber Sex as Pseudo Science; The Artist’s Search for Sex Spaces in Hong Kong (and Beyond) In Esther Cheung, Gina Marchetti and Tan See-Kam eds. Hong Kong Screenscapes: From The New Wave to the Digital Frontier (Hong Kong, Hong Kong University Press, 2011), pp.225-239.
2009 ‘The Chinese New World Dream and the Female Itch: Sex Bloggers and Lolita Costume Play,’ In Fiona Attwood ed. Porn.com: Making Sense of Online Pornography (New York: Peter Lang, 2009), pp. 186-202.
2009 ‘Make Porn, Not War: How to Wear The Network’s Underpants?’ In Jussi Parikka and Tony Hampton eds. The Spam Book: On Viruses, Spam, and Other Anomalies from the Dark Side of Digital Culture (New Jersey: Hampton Press, 2009), pp.181-193
2007 ‘Porn Arousal and Gender Morphing in the Twilight Zone’ Click Me. A Netporn Studies Reader. (Amsterdam, INC, 2007), pp. 217-233
2003 ‘Queer Voyeurism and the Matrix in Shu lea Cheang’s Japanese Pornography,’ In Mobile Cultures: Queer Asia and New Media (Duke University Press, 2003), pp. 201-222
2001 ‘Masochism: or the Cruel Mother in Maria Beatty’s Pornography,’ In Luk Van den Dries ed. BodyCheck (Amsterdam, Rodopi, October 2001), pp. 13-34.
1998 ‘The Status of Contemporary Women Filmmakers,’ In Women Filmmakers and Their Films, St. James Press/Gale Research, Spring 1998, pp. xix-xxv.
2015-2018 General Research Fund (GRF) ‘Trans-Asian Women's Forum on Erotic/Pornographic Media and Cultural Affect’ (PI) USD 35.000
2009-2012 General Research Fund (GRF) ‘Gothic Lolita Unchained: The Appropriation of Japanese Animation Narratives and Aesthetics in Chinese Digital Media Contexts’ (PI) USD 30.000
2008-2010 General Research Fund (GRF) and Strategic Research Grant (SRG), City University of Hong Kong, ‘Cosplay and the Dressing-up Box in the Spectacular Presentation of Selves in Hong Kong’ (Co-Investigator with PI Anne Peirson-Smith), USD 35.000
2013-2014 Hong Kong Arts Development Council, ‘Wandering Scholars,’ USD 15000
2008-2009 Hong Kong Arts Development Council, ‘Extra/Ordinary Dress Code, Costuming and the Second Skin in Asia,’ 2008-2009, USD 15000