Skip to content
Start main Content

Research
Thesis of the Graduate Research Students

Research - Thesis of the Graduate Research Students

Ph.D. in Cultural Studies

後九七香港文學的文化想像:論《字花》、香港文學生活館與文學公共性論述的形成

Cheng Chung Pong 鄭中邦

Ph.D. 2024

 

Understanding China’s Anti-pandemic Technologies: Medica Representations, Personal Experiences and Public Opinions (2020-2022)

Tan Xuanxuan 譚璇璇

Ph.D. 2023

 

「生活」系譜學: 常用詞「生活」在清末民初(1815—1925)的跨文化生成系譜研究

Cheng Tung Yue 陳東禹

Ph.D. 2022

 

視頻直播與平台化中國社會﹕抖音的科技基礎設施,商業化與治理結構

Zhang Zongyi 張宗藝

Ph.D. 2022

 

Rituals of Resistance Mediated Images among the Hong Kong Youth

Alberto Gerosa

Ph.D. 2022

 

香港電影音樂的創意實踐

Law Tsin Fung Angela 羅展鳳

Ph.D. 2022

 

From CEPA to Laam-caau: The Evolution of Anti-Economic Integration Discourses in Post-Handover Hong Kong (1997-2022)

Yu Po Sang 俞寶生

Ph.D. 2022

 

“心”與“農”:梁漱溟與中國革命再理解

Zhang Zhen 張振

Ph.D. 2022

 

中英跨文化翻譯及戲劇研究:以雙語作家熊式一(1902-1991)的作品為例

Chan Hiu Ting 陳曉婷

Ph.D. 2021

 

中國智慧古鎮:旅遊和技術的文化政治

Tong Qi 童祁

Ph.D. 2021

 

中國現代木刻的藝術生產(19301940年代)

Yang Ru 楊儒

Ph.D. 2021

 

轉危為機:國防電影與早期香港電影中的社群塑造(1937-1941)

Chiu Kit Fung 趙傑鋒

Ph.D. 2020

 

遊戲作為工具?——以現代中國的風箏為例

Ko Chun Kit 高俊傑

Ph.D. 2020

 

Against the Commercial: Film Governance of Nanjing Nationalist Government, 1927-1937

Li Pin 李頻

Ph.D. 2020

 

重塑廣東:晚清時事,圖像與文化流

Lu Xin 陸欣

Ph.D. 2020

 

「打鬼」的現代性﹕中國現代迷信知識及文藝政治(1920-1940年代)

Yang Mingchen 楊明晨

Ph.D. 2020

 

The Total Art of Pussy Riot and the Dialectics of Imperfection

Svetlana Ilinskaya

Ph.D. 2019

 

網絡本土主義:中國因素下的香港身份與社群

Lai Kwok Wai 黎國威

Ph.D. 2019

 

The Cultural Politics of Fear: The Collective Fear of Communism in Cold War and Post-Cold War Hong Kong (1967-2018)

Li Cho Kiu 李祖喬

Ph.D. 2019

 

另一種華文戲劇﹕香港戲劇及其本土性的形成(1934-1977)

Tang Ching Kin 鄧正健

Ph.D. 2019

 

A Semiotic Study on Character Pairing Fandom in Chinese Cyberspace

Zhang Kaixuan 張凱旋 (Gender Studies)

Ph.D. 2019

 

Formulaic Intimacy: The Rise of Relationship Experts in Contemporary China

Liu Haiping 劉海平 (Gender Studies)

Ph.D. 2019

 

(Dis)Orientating Desires: The Queer Exotic and Lesbian Diaspora in Transnational Chinese Cinemas

Ong Yuin Ting 翁筠婷 (Gender Studies)

Ph.D. 2018

 

性別、類型與現代性: 華語銀幕女俠形象

Ni Ziquan 倪子荃 (Gender Studies)

Ph.D. 2018

 

鐵路與中國現代性﹕晚清至民國的時空體驗、文化想像
Li Siyi 李思逸
Ph.D. 2018
 
抑鬱症在現代中國﹕患者、疾病與醫療化
Zheng Fei 鄭菲
Ph.D. 2018

 

當藝術遇上創意---創意產業、全球資本與香港的藝術勞動

Leung Po Shan Anthony 梁寶珊

Ph.D. 2017

 

Film Propaganda as Medium of Perception: Early Rural Screening in Maoist China (1949-1965)

Guo Yanping 郭燕平

Ph.D. 2017

 

The Gender Politics of Breast Cancer in Hong Kong

Pang Ka Wei 彭家維

Ph.D. 2017

 

作為⽂化譯者的⽥漢:上海「波西⽶亞」,⽂化翻譯與世界想像(1920-1939)

Xi Yiyang 席藝洋

Ph.D. 2017

 

Lala Movement and Pragmatic Resistance in China

Hou Lixian 侯麗嫻

Ph.D. 2016

 

國家控制的變遷與延續﹕中國大陸電影產業改革中的審查制度及其實踐

Yi Lianyuan 易蓮媛

Ph.D. 2016

 

Articulating the "L" Word Globally in a Cyber "Garden of Eden": Online Chinese Queer Fandom of Western Media and Celebrities

Zhao Jing 趙婧 (Gender Studies)

Ph.D. 2016

 

Re-articulating “Culture” after the Big Migration of 1949 from Mainland China: Community-based Practices among Mainland Immigrants in Hong Kong and Northern and Southern Taiwan

Li Danzhou 李丹舟
Ph.D. 2015

 

Run Deep: The voice, authorship, and musicianship of Chinese female rock musicians (1979-2012)

Qu Shuwen 曲舒文

Ph.D. 2015

 

反思紅衛兵的暴力﹕生命傳記、文革記憶與政治文化

Yuan Mengqian 袁夢倩

Ph.D. 2015

 

女性幻想男男之愛﹕中國網絡耽美與酷兒性研究
Zhou Shuyan 周舒燕 (Gender Studies)
Ph.D. 2014

 

打造香港傷殘/性別新文化 --- 搭建傷殘女性主義

Wong Choi Fung 黃彩鳳 (Gender Studies)
Ph.D. 2014

 

晚清西方攝影師在中國的成像研究
Li Xiaoyu 李瀟雨
Ph.D. 2014

 

中國內地粉絲,香港電視明星與跨境文化消費
Zhou Lulu 周潞鷺
Ph.D. 2014

 

Bifurcated Time: Aesthetics and Politics of Apichatpong Weerasethakul’s Cinema
Wang Yuanyun 王苑媛
Ph.D. 2014

 

Decapitalising Development: Mui Wo, Lantau Island in the Age of Global Capitalism
Tang Kin Ling 鄧健苓
Ph.D. 2014

 

Mapping the Sexual Landscape: A Study of the Family Planning Association of Hong Kong (1950s – 1980s)

Cho Man Kit 曹文傑 (Gender Studies)

Ph.D. 2013

 

Risk, Modernity and the Discursive Construction of Pollution in 1970s and 1980s Hong Kong
Lam Yee Man 林綺雯 
Ph.D. 2013  

 

「我(不)是電影作者」﹕論許鞍華的女性電影作者倫理主體
Lam Yuen Man 林婉雯 
Ph.D. 2012

 

体制与亚体制 – 重读中国独立电影的独立性 
Li Tie Cheng  李鐵成 
Ph.D. 2012

 

「國族」統攝「性別」? –近代中國知識分子的性別與國族論述 
Ling Tsz Wai Wade 凌子威 
Ph.D. 2012

 

文化旅游中的文化想像与文化生产──丽江古城木雕与绘画的旅游艺术品研究
Zhou Weiwei 周蔚蔚 
Ph.D. 2012

 

Crossing the Transnationality of Hong Kong Cinema Co-production with Policy, Film Business, and Individual Practitioners
Chan Ka Ming 陳嘉銘
Ph.D. 2011

 

白話之聲﹕白話現代性與中國早期的電影文化 (1930-1937)
Vernacular Sound: Vernacular Modernity and the Early Chinese Film Culture (1930-1937)

Wei Ping 魏萍 
Ph.D. 2011

 

Mytological Approach to Oe Kenzaburo and Gao Xingjian's Novels --- Myth-making in The Silent Cry and Soul Mountain
Wan Mu 萬牧
Ph.D. 2011

 

《神異真實的跨性別少年:重繪英文幻設小說的酷兒陽剛世界》
The Mythical Real Transboyhood: Re-Mapping Worlds of Queer Masculinity in English Speculative Fiction

Hung Ling Ling 
Ph.D. 2010

 

中國大陸先鋒戲劇探析(1989-2005)
Li Yafei
Ph.D. 2008

 

領袖權與有機知識份子的形成: 瞿秋白與二十世紀初的革命政治
Cheung Likkwan
Ph.D. 2007

 

五、六十年代粵劇正印花旦性別操演
Gender Performativity on the Stage: Leading Female Impersonators & Cantonese Opera of Hong Kong

Chan Chak Lui (Gender Studies) 
Ph.D. 2005

 

相國寺﹕活在古代中國的神聖與凡俗之間
Xiang-guo-si: Living between the Scared and the Profane in Ancient China

Duan Yuming
Ph.D. 2003

 

Cyberfeminism, the Body and the Virtual: Towards an Intercultural Perspective
Chan Kit Sze
Ph.D. 2002