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Academic Research
Thesis of the Graduate Research Students

Academic Research - Thesis of the Graduate Research Students

Ph.D. in Cultural Studies

Lala Movement and Pragmatic Resistance in China

Hou Lixian 侯麗嫻

Ph.D. 2016

 

國家控制的變遷與延續﹕中國大陸電影產業改革中的審查制度及其實踐

Yi Lianyuan 易蓮媛

Ph.D. 2016

 

Articulating the "L" Word Globally in a Cyber "Garden of Eden": Online Chinese Queer Fandom of Western Media and Celebrities

Zhao Jing 趙婧 (Gender Studies)

Ph.D. 2016

 

Re-articulating “Culture” after the Big Migration of 1949 from Mainland China: Community-based Practices among Mainland Immigrants in Hong Kong and Northern and Southern Taiwan

Li Danzhou 李丹舟
Ph.D. 2015

 

Run Deep: The voice, authorship, and musicianship of Chinese female rock musicians (1979-2012)

Qu Shuwen 曲舒文

Ph.D. 2015

 

反思紅衛兵的暴力﹕生命傳記、文革記憶與政治文化

Yuan Mengqian 袁夢倩

Ph.D. 2015

 

女性幻想男男之愛﹕中國網絡耽美與酷兒性研究
Zhou Shuyan 周舒燕 (Gender Studies)
Ph.D. 2014

 

打造香港傷殘/性別新文化 --- 搭建傷殘女性主義

Wong Choi Fung 黃彩鳳 (Gender Studies)
Ph.D. 2014

 

晚清西方攝影師在中國的成像研究
Li Xiaoyu 李瀟雨
Ph.D. 2014

 

中國內地粉絲,香港電視明星與跨境文化消費
Zhou Lulu 周潞鷺
Ph.D. 2014

 

Bifurcated Time: Aesthetics and Politics of Apichatpong Weerasethakul’s Cinema
Wang Yuanyun 王苑媛
Ph.D. 2014

 

Decapitalising Development: Mui Wo, Lantau Island in the Age of Global Capitalism
Tang Kin Ling 鄧健苓
Ph.D. 2014

 

Mapping the Sexual Landscape: A Study of the Family Planning Association of Hong Kong (1950s – 1980s)

Cho Man Kit 曹文傑 (Gender Studies)

Ph.D. 2013

 

Risk, Modernity and the Discursive Construction of Pollution in 1970s and 1980s Hong Kong
Lam Yee Man 林綺雯 
Ph.D. 2013  

 

「我(不)是電影作者」﹕論許鞍華的女性電影作者倫理主體
Lam Yuen Man 林婉雯 
Ph.D. 2012

 

体制与亚体制 – 重读中国独立电影的独立性 
Li Tie Cheng  李鐵成 
Ph.D. 2012

 

「國族」統攝「性別」? –近代中國知識分子的性別與國族論述 
Ling Tsz Wai Wade 凌子威 
Ph.D. 2012

 

文化旅游中的文化想像与文化生产──丽江古城木雕与绘画的旅游艺术品研究
Zhou Weiwei 周蔚蔚 
Ph.D. 2012

 

Crossing the Transnationality of Hong Kong Cinema Co-production with Policy, Film Business, and Individual Practitioners
Chan Ka Ming 陳嘉銘
Ph.D. 2011

 

白話之聲﹕白話現代性與中國早期的電影文化 (1930-1937)
Vernacular Sound: Vernacular Modernity and the Early Chinese Film Culture (1930-1937)

Wei Ping 魏萍 
Ph.D. 2011

 

Mytological Approach to Oe Kenzaburo and Gao Xingjian's Novels --- Myth-making in The Silent Cry and Soul Mountain
Wan Mu 萬牧
Ph.D. 2011

 

《神異真實的跨性別少年:重繪英文幻設小說的酷兒陽剛世界》
The Mythical Real Transboyhood: Re-Mapping Worlds of Queer Masculinity in English Speculative Fiction

Hung Ling Ling 
Ph.D. 2010

 

中國大陸先鋒戲劇探析(1989-2005)
Li Yafei
Ph.D. 2008

 

領袖權與有機知識份子的形成: 瞿秋白與二十世紀初的革命政治
Cheung Likkwan
Ph.D. 2007

 

五、六十年代粵劇正印花旦性別操演
Gender Performativity on the Stage: Leading Female Impersonators & Cantonese Opera of Hong Kong

Chan Chak Lui (Gender Studies) 
Ph.D. 2005

 

相國寺﹕活在古代中國的神聖與凡俗之間
Xiang-guo-si: Living between the Scared and the Profane in Ancient China

Duan Yuming
Ph.D. 2003

 

Cyberfeminism, the Body and the Virtual: Towards an Intercultural Perspective
Chan Kit Sze
Ph.D. 2002