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黄咏欣教授

黄咏欣教授

助理教授

Ph.D. (Creative Media), City University of Hong Kong
M.A. (Culture Industry / Cultural Studies), Goldsmiths, University of London
B.F.A (Digital Image/Sound and the Fine Arts / Computation Arts), Concordia University, Montreal

关于 黄咏欣教授

黄咏欣是香港中文大学文化及宗教研究系的助理教授，专攻文化研究。她曾在香港城市大学和香港浸会大学任教，并曾於香港城市大学担任博士后研究员，参与「宇宙技术/批判性人工智能」研究项目，同时担任哲学与科技研究网络及《器显》期刊的项目管理人员。她在国际上曾任策展人和制作人，并担任协助艺术家和文化机构完成数位项目的MetaObjects的联合创始人和艺术总监。

 

她的研究涵盖理论和实践，关注艺术家和从业者在艺术与技术交叉领域中的当代文化经济思维和参与方式。她的作品发表於多个学术期刊，包括Screened Bodies, The Journal of Embodiment, Media Arts, and Technology；DATA browser, Curating Technologies，2023；Visual Cultural Studies 期刊，2022；哥德堡大学的PARSE 期刊，2019； 奥胡斯大学的APRJA，2018； 以及巴黎第八大学的 Marges期刊，2019。同时还有一篇章节收录於2017年西敏寺大学出版社出版的Collaborative Production in the Creative Industries一书中。

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  • 研究兴趣
    • Art and Technology
    • Media Art Histories and Curating
    • Cultural Economies
    • Digital Cultures
    • Media and Cultural Studies
    • Philosophy of Technology
  • 近期研究计划
    Emergent Economies of Art and Technology (tentative title), Monograph (forthcoming)
  • 出版文章/书籍
    1. Wong, Ashley. “Beyond Ownership: Sustaining Art as Cultural Processes”, DATA browser series, Curating Technologies, Vol. 10, 2023.
    2. Wong, Ashley. “NFTs and Digital Collectibles: Creating Systems of Ownership for Digital Objects”, Visual Cultural Studies Journal, Mimesis, 2022.
    3. Wong, Ashley. “Cyclic Existence, Iteration and Digital Transcendence: Lu Yang’s Live Motion Capture Performances”, Screened Bodies, The Journal of Embodiment, Media Arts, and Technology, Iss.7.1. 2022. 
    4. Wong, Ashley. “Artists as Enterprise: Incorporating as Forms of Organising Agencies”, In PARSE Journal, Iss 9, Spring 2019, University of Gothenburg.
    5. Wong, Ashley. “Confronting The Market: Media Art’s Venture into the Art Market”, In Art with (or without) the art market. Marges #28, Presses Universitaires de Vincennes, Université Paris 8. Spring issue, 2019.
    6. Wong, Ashley. “Artists In The Creative Economy: Inoperative Modes of Resistance”, In: Christian Ulrik Andersen & Geoff Cox (eds), APRJA, 2018. Vol. 7, Issue 1, Digital Aesthetics Research Centre, Aarhus University, School of Communication and Culture.
    7. Wong, Ashley. “Work In The Creative Economy: Living Contradictions Between the Market and Creative Collaboration”, In: Gandini A. & Graham J, Collaborative Production in the Creative Industries. 2017.  London: University of Westminster Press.
  • 策展、创作及顾问作品
    Curated Exhibitions
    1. Lu Yang’s Screen Bodies, China in the World Gallery, Australian National University, Canberra, 2022
    2. Curated exhibition, Open Systems Salon, Art Machines: International Symposium for Computational Art, School of Creative Media, City University of Hong Kong, 2019
    Selected Projects (MetaObjects)
    1. Lu Yang - DOKU: The Binary World, networked live motion capture performance, Freespace, West Kowloon Cultural District and Sydney Opera House, 2022
    2. Sonic Topologies: Hong Kong, Multi-sensory interactive installation, M+, West Kowloon Cultural District, Hong Kong, 2021
    3. The Next Biennial Should be Curated by a Machine: Experiment AI-TNB, AI web project, Liverpool Biennial, 2021
    4. Ensembl  with Samson Young and Prof. Massimiliano Mollona, Blockchain prototype, DAOWO Initiative, Goethe-Institut London, Furtherfield/DECAL and Serpentine Galleries, 2021
    5. Fashion Asia, 10 Asian Designers to Watch, Virtual exhibition, Hong Kong Design Centre, 2020
    6. Wong Kit Yi: Magic Wands, Batons and DNA Splicers, bio lab, a.m. Space, Art Basel Hong Kong, 2018
     
  • 其他
    Nominated, Hong Kong Dance Awards 2023, Outstanding Small Venue Production for Lu Yang – DOKU, The Binary World, Freespace, West Kowloon Cultural District and Sydney Opera House