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林國偉教授

林國偉教授

文化管理專業應用副教授

M.F.A (LABA, Italy), M.I.H.T (GMU, Italy),
LL.M. (UCLan, UK), Ph.D. (USW, UK)

關於 林國偉教授

林國偉教授現任香港中文大學文化管理專業應用副教授及文化管理碩士課程主任，曾於馬來西亞KDU大學學院（現為馬來西亞伍倫貢大學）及成功大學學院擔任院長。他亦曾任馬來西亞泰萊大學設計學院訪問教授（2021–2024）、意大利UniPegaso客座教授（2019–2023）、北京大學文化產業研究院訪問學者（2019–2020），以及英國諾丁漢大學馬來西亞校區亞洲研究所榮譽研究員（2019）。近年來，林教授曾受邀在多所大學及藝術機構進行講座。

 

此外，林教授在多個文化藝術機構擔任委員和顧問職務。他目前是新加坡鼟樂團節目委員成員以及香港中文大學（深圳校區）大學藝術中心顧問團成員。2023年，他獲香港藝術發展局委任為藝術行政小組顧問及戲劇界別審批員（任期三年）。他與澳門合作頻繁，2015年受澳門旅遊學院（現為澳門旅遊大學）邀請，開發該院首個表演藝術活動管理證書課程，並於2016及2017年開辦；亦曾擔任2022年澳門藝穗節導師及2025年藝穗節節目顧問。

 

自2001年以來，林教授以製作人及導演身份創作多部原創戲劇及藝術節，經常探討邊緣社群議題。作為表演創作者，他多年來持續探索表演「自我」的不同面向。自2021年起，他發起「藝術與年長」計劃，開展一系列長者戲劇工作坊，並建立以廣東話為主的藝術資源庫。

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  • 研究興趣
    • Arts and Cultural Management
    • Cultural Policies
    • Arts and Social Change
    • Performance Studies
    • Digital Culture
    • Higher Education
  • 近期研究計劃
    • 2021 – Present: Co-Principal Investigator, “An Ecology of Care for the Arts: Arts practices, policy making and arts pedagogy”. (Co-PI: Dr Elizabeth de Roza)
    • 2020 – Present: Principal Investigator/ Cultural Studies Impact Coordinator, “Art and Aging”, Faculty of Arts’ Project Impact Enhancement Fund (1st and 2nd Instalments), Development of Impact Case Funding, and CRS Research Fund.
    • 2015 – 2016: Principal Investigator, “Performing Arts Festivals in Hong Kong – Issues and Challenges”, CUHK’s Direct Grant for Research, HK$96,900.
  • 精選文章/書籍
    Books and Edited/Co-edited Books
    1. Lim, Benny, Chan, Anna CY, and Yu, Kwok Lit Louis (Eds.). (Forthcoming). Culture and Sustainability in East and South East Asia. Cham: Springer. (Contract awarded)
    2. Lim, Benny & de Roza, Elizabeth (Forthcoming). An Ecology of Care for the Arts: Arts practices, policy making and arts pedagogy. Champaign, IL: Common Ground Research Networks. (Contract awarded)
    3. Lim, Benny (2024). Bridging Cultures. Hong Kong: Department of Cultural and Religious Studies, the Chinese University of Hong Kong.
    4. Lim, Benny & Ho, Hing-kay Oscar (Eds.) (October 2021). Empower Arts, Animate Communities. Hong Kong: Department of Cultural and Religious Studies, the Chinese University of Hong Kong.
    5. 何慶基，林國偉 (聯合主編)( 2017 年)《藝術與社群》。 香港中文大學文化及宗教研究系。ISBN 978-988-77228-1-6.
    6. 何慶基，林國偉 (聯合主編)( 2016 年)《中介位置》。香港中文大學文化及宗教研究系。 ISBN 978-988-77228-0-9.

    Selected Articles in Books/Journals
    1. Lim, Benny (2024). Cultural Districts and Tourism in Hong Kong: A Case Study of West Kowloon Cultural District. In: Wong, TC., See, HP., Milligan, M. (eds) Cultural Tourism in the Asia Pacific. Cham: Springer. 
    2. Lim, Benny (2022). The Monetisation of Intellectual Property in Singapore’s Performing Arts. Journal of Arts Management, 4, 100-110.
    3. Lim, Benny (2022). Beyond Size and Scale: Reflections on Small Performing Arts Organizations. RICE Journal of Creative Entrepreneurship and Management, 3(1), 55-65.
    4. Lim, Benny (2021). Coronavirus disruptions to the private higher education sector in Malaysia In J. S. McKeown, K. Bista, & R. Y. Chan (Eds.), Global higher education during COVID-19: Policy, society, and technology, 92-103. STAR Scholars.
    5. Lim, Benny (2019). A Postmodern Approach to Curating and Managing Arts Festivals. In William Byrnes and Aleksandar Brkić (Eds.) The Routledge Companion to Arts Management, 263-275. London: Routledge.
    6. Lim, Benny, Cheng, Meggy, and Chou, Wai-In Rebecca (2019). Fundraising for classical music: Case studies from Hong Kong and Macao. In William Byrnes and Aleksandar Brkić (Eds.) The Routledge Companion to Arts Management, 425-437. London: Routledge.
    7. Lim, Benny & Chua, Lian Choon (2018). Malaysia’s Theatre and its Circuit of Culture. Critical Stages/Scènes critiques - The IATC journal/Revue de l'AICT, 18.
    8. Lim, Benny (2018). Representations of Hong Kong’s West Kowloon Cultural District by Local English Newspapers. Southeast Asia: A Multidisciplinary Journal. Vol. 18, pp. 44-54. UBD FASS
    9. Lim, Benny (2018). Postmodern Self-Reflexive Drama and the Deconstruction of Space - Case Studies from Singapore, Malaysia and Hong Kong. In Vladislava Fekete and Zuzana Uličianska (Eds.) Contemporary Drama and Performative space: from Playwriting to Immersive Theatre, 115-135. Bratislava (Slovakia): Theatre Institute Bratislava.

     

  • 策劃及創作作品
    Selected Festival Curation/ Direction
    1. Along the Edge Arts Festival (2018 – 2020, Hong Kong)
    2. Saving the Past for the Future Festival (2017, Hong Kong)
    3. We Gain, We Lose Arts Festival (2016, Hong Kong)
    4. Umbrella Festival (2015, Hong Kong)
    5. Moving Sounds; Leisure Motions Arts Festival (2014, Hong Kong)
    6. Initiation International Performance Festival (2005 – 2007, Singapore)
    Selected Performance Projects
    1. Solitude (2023, Hong Kong)
    2. Hektomeron Project – Singapore (2021, Romania)
    3. What Have I Learned in Hong Kong? Series (2016 – 2019, Hong Kong)
    4. Diaspora Series (2011 & 2012, Malaysia)
    5. Human Lefts Series (2005 – 2009, Singapore and USA)
    6. Death.Mother Series (2004 – 2008, Singapore and Hong Kong)

 

>>  Click here to browse Prof. Lim's personal homepage

 

Prof. Lim Kok Wai Benny  | Research keywords in Cultural Studies: Performing Arts

http://ccs.crs.cuhk.edu.hk/main/research-keywords-5/