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黃詠欣教授

黃詠欣教授

助理教授

Ph.D. (Creative Media), City University of Hong Kong
M.A. (Culture Industry / Cultural Studies), Goldsmiths, University of London
B.F.A (Computation Arts), Concordia University, Montreal

關於 黃詠欣教授

Dr. Ashley Lee Wong is Assistant Professor of Cultural Studies and Associate Director of the MA Cultural Management programme in the Department of Cultural and Religious Studies at The Chinese University of Hong Kong. She has worked internationally as a curator and creative producer and is Co-Founder and Artistic Director, MetaObjects, a studio that facilitates digital projects with artists and cultural institutions. Prior to joining CUHK, she was a Postdoctoral Fellow at City University of Hong Kong working on the Cosmotechnics/Critical AI research project and as manager of the Research Network for Philosophy and Technology and Technophany journal. She is initiator of the collaborative research project Ecologies of Participation together with Yim Sui Fong (Fine Arts, CUHK) and Melody Hoi-Lam Yiu (Architecture, CUHK) in 2024.

 

Her research bridges theory and practice to consider ways of thinking and engaging in contemporary cultural economies for artists and practitioners working at the intersections of art and technology. Her work has published in academic journals including, DATA browser, Curating Technologies, 2025, Screened Bodies, The Journal of Embodiment, Media Arts, and Technology, Visual Cultural Studies Journal, 2022, PARSE Journal, University of Gothenburg, 2019, APRJA, Aarhus University, 2018, and Marges, Université Paris 8, 2019; and a book chapter in Collaborative Production in the Creative Industries, University of Westminster Press, 2017. She is the author of a monograph Ecologies of Artistic Practice: Rethinking Cultural Economies through Art and Technology (The MIT Press, 2025).

 

Website: www.ashleyleewong.com

顯示更多
    • Art and Technology
    • Media Art Histories and Curating
    • Cultural Economies
    • Digital Cultures
    • Media and Cultural Studies
    • Philosophy of Technology
    1. Ecologies of Artistic Practice: Rethinking Cultural Economies through Art and Technology, Monograph (The MIT Press, 2025).
    2. Co-PI, Interdisciplinary Research Project, “Practice-as-Research: Producing Knowledge Through Participatory Creative Practice,” Research Institute for the Humanities, The Chinese University of Hong Kong, Part of the Ecologies of Participation initiative in collaboration with Yim Sui Fong, Melody Hoi-Lam Yiu and Frank Vigneron, 2024-202.
    3. PI, Direct Grant, “A Response to Hong Kong’s Arts Tech Policy:
      Shifting the Narrative on Art and Technology to Reconsider Cultural Development,” Faculty of Arts, The Chinese University of Hong Kong, 2024-2025.
    4. PI, Funding Scheme for Promoting Innovative Technology in Education (FITE),
      “Building Digital Literacy in the Arts and Humanities,” University Grants Committee (UGC), Hong Kong, 2024-2026.
  • Curated Exhibitions
    1. Lu Yang’s Screen Bodies, China in the World Gallery, Australian National University, Canberra, 2022
    2. Curated exhibition, Open Systems Salon, Art Machines: International Symposium for Computational Art, School of Creative Media, City University of Hong Kong, 2019
    Selected Projects (MetaObjects)
    1. Lu Yang - DOKU: The Binary World, networked live motion capture performance, Freespace, West Kowloon Cultural District and Sydney Opera House, 2022
    2. Sonic Topologies: Hong Kong, Multi-sensory interactive installation, M+, West Kowloon Cultural District, Hong Kong, 2021
    3. The Next Biennial Should be Curated by a Machine: Experiment AI-TNB, AI web project, Liverpool Biennial, 2021
    4. Ensembl  with Samson Young and Prof. Massimiliano Mollona, Blockchain prototype, DAOWO Initiative, Goethe-Institut London, Furtherfield/DECAL and Serpentine Galleries, 2021
    5. Fashion Asia, 10 Asian Designers to Watch, Virtual exhibition, Hong Kong Design Centre, 2020
    6. Wong Kit Yi: Magic Wands, Batons and DNA Splicers, bio lab, a.m. Space, Art Basel Hong Kong, 2018
     
  • Nominated, Hong Kong Dance Awards 2023, Outstanding Small Venue Production for Lu Yang – DOKU, The Binary World, Freespace, West Kowloon Cultural District and Sydney Opera House