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梁学彬教授

梁学彬教授

副教授

B.F.A. (School of the Art Institute of Chicago, USA), M.Phil (LingU), PhD (CityU)

关于 梁学彬教授

梁教授身兼艺术家、策展人及艺术文化研究学者，於美国芝加哥艺术学院取得美术学位荣誉院士。2013年获委任为录映太奇的主席，推动并参与电子艺术交流协会艺术节(ISEA Festival)、Loop巴塞罗那、Clockenflap和巴塞尔艺术博览会。梁教授过去曾执教理论和工作室课程，涵盖媒体艺术、策展、展览研究和文化理论等领域。研究兴趣包括当代艺术、文化史学、艺术管理、文化产业和艺术市场。

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  • 研究兴趣
    • 当代艺术、策展、展览研究、艺术与科技、新媒体、艺术史、文化史学史、艺术管理、文化工业、艺术市场、 酷儿理论、批判理论及文化研究
  • 近期研究计划
    1. 2023 Principal Investigator, Digital Disruption—The Emerging Field of Non-Fungible Token in the Art World, General Research Fund 2022/23, Research Grant Council, The Government of the Hong Kong Special Administrative Region.
    2. 2021-22 Principal Investigator, Special Funding Scheme for Online Learning (supported by the Teaching Development and Language Enhancement Grant for 2019-22), The Chinese University of Hong Kong.
    3. 2020-21 Principal Investigator, Artrepreneur – An Emerging Shape of Cultural Entrepreneurship in Hong Kong, Direct Grant, The Chinese University of Hong Kong.
    4. 2020-21 Principal Investigator, Funding Scheme for Virtual Teaching and Learning (for Faculties and the Office of University General Education), The Chinese University of Hong Kong.
    5. 2018-19 Principal Investigator, An Ethnographic Study on Chinese Private Museums in the Context of the China’s Recent Cultural Policies, Early Career Scheme 2017/18, Research Grant Council, The Government of the Hong Kong Special Administrative Region.
  • 出版文章/书籍
    Books
    1. 2023 Tracing Contemporary Chinese Art: An Ethnographic Journey through a Decade in Shanghai. Palgrave Macmillan (Springer Nature), 2023.
    Journal Papers
    1. forthcoming “Idol-chasing, Frenzy—public screens, Popular Culture and Urban space.” Journal of Cultural Studies.
    2. 2023 “Power and Knowledge: The Birth of Museums in China.” Museum Anthropology, Wiley,  46(1): 26–34.
    3. 2022 with Poposki, Zoran. “Hong Kong as a global art hub: Art ecology and sustainability of Asia’s art market centre.” Arts, Special Issue “A 10-Year Journey of Arts”. 11(1), 29.
    4. 2021 Artificial Landscape: in search of publicness through urban spectacle in Hong Kong.” Architecture_MPS, UCL Press, 20(1): 1-12.
    Books Chapters
    1. 2023 “Museum Frenzy: Notes from the Field on Studying The True Color Museum.” In Menene Gras, Jonathan Harris and Bashir Makhoul (eds.) The Routledge Handbook of Contemporary Art in Global Asia. Routledge. 2023, pp. 225–232.
    2. 2023 “Architecture And Disciplinary knowledge: A Case Study of Hong Kong’s Heritage and Politics.”In Graham Carins (ed.) Architecture, Media, Populism… and Violence: Reification and Representation II: 2. Routledge, 2023, pp. 70–90.
    3. 2022 “‘COVID-19 Is Accelerating the Art World’s Adoption of Technology’ — Does More Advanced Technology Lead to Better Art Exhibitions?” In Frank Vigneron and Joanna HY Lee (eds.) Hong Kong Visual Arts Overview 2020. The Chinese University of Hong Kong Press, pp. 47–81.
    4. 2021 “The Resilient City: When Social Activism Meets Media Arts in Hong Kong.”In Eliza Steinbock, Bram Ieven and Marijke de Valck (eds.) Art and Activism in the Age of Systemic Crisis: Aesthetic Resilience. Routledge, pp. 117–129.
    5. 2019 “From Personal History to an Avant-Garde Movement: A Brief History of Videotage and Video Art in Hong Kong.” In Hanru Hou and Bei Xi (eds.) The D-Tale: Video Art from the Pearl River Delta. Sternberg Press, Berlin, pp. 252–261.
    6. 2019 Leung, Isaac HB, et al. “Digitisation with (in/out) Borders.” In Jeroen de Kloet, Chow Yiu Fai and Lena Scheen (eds.) Boredom, Shanzhai, and Digitisation in the Time of Creative China. Amsterdam University Press, pp. 307–314.
    7. 2017 “Sham Shui Po: Tactical urbanism or a precursor to gentrification?”. In Jurgen Krusche and Siu King Chung eds. Deep Water – Public Spaces in Sham Shui Po, Hong Kong. MCCM: Hong Kong, pp. 21-29.
    8. 2009 “The Representation of Sex Machines.” In Johannes Grenzfurthner (ed.) Do Androids Sleep with Electric Sheep? Re/Search Publications, San Francisco, CA, pp. 16–35.
    Conference Papers
    1. 2020 “Connections: Exploring Heritage, Architecture, Cities, Art, Media.” Architecture_MPS (UCL Press), Screen Cultures, Artistic Intervention, and Publicness – A Case Study of an Art Project in Public Screen in Hong Kong.
    2. 2021 “Online Education: Teaching In a Time of Change.” Architecture_MPS (UCL Press), Using Telepresence And Social Technologies To Create Social Impact.
    Non-Refereed Publications
    1. 2017 “Our Exhibition Embraced Selfies, Snapchat, and Shopping Malls-and Went Viral.” Zócalo Public Square (Arizona State University Media Enterprise). 3 Oct 2017.
    2. 2016 “The Observer’s Paradox?”. International Association of Theatre Critics Journal. 15 Dec 2016.
    3. 2016 “Creating a brave new art world.” International Association of Theatre Critics Journal. 1 Mar 2016.
    4. 2012 “One World Exposition. In Between Hong Kong and China – mediation as a world-making process.” Art In China (The International Art & Culture Foundation of Spain), 2012, pp. 6-15.
  • 其他
    Awards
    1. 2023 The Faculty of Arts Outstanding Teaching Award 2023, The Chinese University of Hong Kong.
    2. 2019 The Faculty of Arts Outstanding Teaching Award 2019, The Chinese University of Hong Kong.

     

 

>>  Click here to Prof. Leung's profile on BA Programme in Cultural Management website.