Eng|繁體|简体
Start main Content

教職員
教職員

  1. 主頁
  2. 教職員
  3. 教職員

教職員 - 教職員

彭麗君 教授

彭麗君 教授

教授及系主任
卓敏文化及宗教研究教授

Ph.D. in Comparative Literature (WashU)

關於 彭麗君 教授

PANG Laikwan 彭麗君 received her Ph.D. in Comparative Literature from Washington University in St. Louis, and she has taught at CUHK since 2002. She is now Professor of Cultural Studies and Head of the Department of Cultural and Religious Studies. Her research spans a broad spectrum of issues related to culture in Modern and Contemporary China and Hong Kong. But her central philosophical project is the exploration of the dynamics between “many” and “one,” manifested in the intersections between culture and politics, copies and models, plurality and unity, as well as democracy and sovereignty. She is the author of a few books, and her scholarship has been recognized internationally. Her books received American Library Association (ALA) Choice 2020 Outstanding Academic Title and Chiang King-Kuo Foundation Publication Award. She herself also received the Discovery International Award offered by Australia Research Council, Research Excellence Award as well as Young Research Award by The Chinese University of Hong Kong. 

顯示更多

 

  • 研究興趣
    • Modern and Contemporary Chinese Culture and Politics
    • Cinema and Visual Arts
    • Critical Theories
    • Hong Kong Culture
    • Modern Chinese intellectual History
    • Legal Humanities
  • 近期研究計劃
    1. The Rise of the Sovereign Subject in Modern China
    2. Law and Life in Hong Kong
    3. Theories of Sovereignty
    4. Global Maoism
  • 出版書籍/文章

    出版書籍
     

    • 2024. One and All: The Logic of Chinese Sovereignty. Stanford, CA: Stanford University Press.
    •  
    • 2020. 《民現：在後佔領時代思考城市民主》李祖喬譯。香港: 手民出版社。
    •  
    • 2017. 《複製的藝術：文革期間的文化生產與實踐》李祖喬譯。香港: 中文大學出版社。
    •  
    • 2012. Creativity and Its Discontents: China’s Creative Industries and Intellectual Property Rights Offenses. Durham and London: Duke University Press.
    •  
    • 2010；2018.《黃昏未晚：後九七香港電影》。香港： 中文大學出版社。
    •  
    • 2013；2019. 《哈哈鏡：中國視覺現代性》張春田譯。簡體字版：上海：上海書店出版社，2013；繁體修訂版：香港：手民出版社，2019。
    •  
    • 2006. Cultural Control and Globalization in Asia: Copyright, Piracy, and Cinema. London and New York: Routledge.
    •  
    • 2002. Building a New China in Cinema: The Chinese Left-wing Cinema Movement, 1932-37. Lanham, Boulder, New York, London: Rowman and Littlefield.
    •  

     

    近期學術文章
     

    • Forthcoming. “Wang Guowei’s Theorization of the Human World: A Non-Metaphysical Approach to Will.” positions: asia critique.
    •  
    • Forthcoming. “Decolonizing Common Law: Empire, Nation, and the Insistence of Asking Why.” Social Text.
    •  
    • Forthcoming. “The Poetics of Accumulation: Aging and Contemporary Chinese Arts.” China Information.
    •  
    • 2024. “Writing Behind Bars: The Fandom that Queers Our Political Subjectivity.” Feminist Studies 50, no. 1: 92-118.
    •  
    • 2023. “Making Sense of Labor: Works of Art and Arts of Work in China’s Great Leap Forward.” In Sensing China: Modern Transformation of Sensory Culture, edited by Shengqing Wu and Xuelie Huang, 151 – 173. New York: Routledge.
    •  
    • 2023. “Facing Up to the Sovereign: Pak Sheung Cheun’s ‘Nightmare Wallpaper’ and Hong Kong’s Despair.” Critical Inquiry 49, no. 2: 251-273.
    •  
    • 2022. “De-Sovietization and Internationalism: The People’s Republic of China’s Alternative Modernity Project.” In Siting Postcoloniality: Critical Perspectives from the East Asian Sinophere, edited by Pheng Cheah and Caroline S. Hau, 90-108. Durham, NC: Duke University Press.
    •  
    • 2022. “Can Dialectic Materialism Produce Beauty? The “Great Aesthetic Debates” (1956–1962) in the People’s Republic of China.” International Journal of Asian Studies. Advanced online publication, DOI: https://doi.org/10.1017/S1479591422000171
    •  
    • 2022. “China’s Post-socialist Governmentality and the Garlic Chives Meme: Economic Sovereignty and Biopolitical Subjects.” Theory, Culture and Society 39, no 1: 81-100.
    •  
    • 2022. “Mask as Identity? The Political Subject in the 2019 Hong Kong’s Social Unrest.” Cultural Studies 36, no. 4: 624-643.