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彭丽君教授

彭丽君教授

教授及系主任
卓敏文化及宗教研究教授

Ph.D. in Comparative Literature (WashU)

关于 彭丽君教授

PANG Laikwan 彭丽君 received her Ph.D. in Comparative Literature from Washington University in St. Louis, and she has taught at CUHK since 2002. She is now Professor of Cultural Studies and Head of the Department of Cultural and Religious Studies. Her research spans a broad spectrum of issues related to culture in Modern and Contemporary China and Hong Kong. But her central philosophical project is the exploration of the dynamics between “many” and “one,” manifested in the intersections between culture and politics, copies and models, plurality and unity, as well as democracy and sovereignty. She is the author of a few books, and her scholarship has been recognized internationally. Her books received American Library Association (ALA) Choice 2020 Outstanding Academic Title and Chiang King-Kuo Foundation Publication Award. She herself also received the Discovery International Award offered by Australia Research Council, Research Excellence Award as well as Young Research Award by The Chinese University of Hong Kong. 

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  • 研究兴趣
    • Modern and Contemporary Chinese Culture and Politics
    • Cinema and Visual Arts
    • Critical Theories
    • Hong Kong Culture
    • Modern Chinese intellectual History
    • Legal Humanities
  • 近期研究计划
    1. The Rise of the Sovereign Subject in Modern China
    2. Law and Life in Hong Kong
    3. Theories of Sovereignty
    4. Global Maoism
  • 出版书籍/文章

    出版书籍
     

    • 2024. One and All: The Logic of Chinese Sovereignty. Stanford, CA: Stanford University Press.
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    • 2020. 《民现：在后占领时代思考城市民主》李祖乔译。香港: 手民出版社。
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    • 2017. 《复制的艺术：文革期间的文化生产与实践》李祖乔译。香港: 中文大学出版社。
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    • 2012. Creativity and Its Discontents: China’s Creative Industries and Intellectual Property Rights Offenses. Durham and London: Duke University Press.
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    • 2010；2018.《黄昏未晚：后九七香港电影》。香港： 中文大学出版社。
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    • 2013；2019. 《哈哈镜：中国视觉现代性》张春田译。简体字版：上海：上海书店出版社，2013；繁体修订版：香港：手民出版社，2019。
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    • 2006. Cultural Control and Globalization in Asia: Copyright, Piracy, and Cinema. London and New York: Routledge.
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    • 2002. Building a New China in Cinema: The Chinese Left-wing Cinema Movement, 1932-37. Lanham, Boulder, New York, London: Rowman and Littlefield.
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    近期学术文章
     

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    • 2024. “Writing Behind Bars: The Fandom that Queers Our Political Subjectivity.” Feminist Studies 50, no. 1: 92-118.
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    • 2023. “Making Sense of Labor: Works of Art and Arts of Work in China’s Great Leap Forward.” In Sensing China: Modern Transformation of Sensory Culture, edited by Shengqing Wu and Xuelie Huang, 151 – 173. New York: Routledge.
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    • 2023. “Facing Up to the Sovereign: Pak Sheung Cheun’s ‘Nightmare Wallpaper’ and Hong Kong’s Despair.” Critical Inquiry 49, no. 2: 251-273.
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    • 2022. “De-Sovietization and Internationalism: The People’s Republic of China’s Alternative Modernity Project.” In Siting Postcoloniality: Critical Perspectives from the East Asian Sinophere, edited by Pheng Cheah and Caroline S. Hau, 90-108. Durham, NC: Duke University Press.
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    • 2022. “Can Dialectic Materialism Produce Beauty? The “Great Aesthetic Debates” (1956–1962) in the People’s Republic of China.” International Journal of Asian Studies. Advanced online publication, DOI: https://doi.org/10.1017/S1479591422000171
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    • 2022. “China’s Post-socialist Governmentality and the Garlic Chives Meme: Economic Sovereignty and Biopolitical Subjects.” Theory, Culture and Society 39, no 1: 81-100.
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    • 2022. “Mask as Identity? The Political Subject in the 2019 Hong Kong’s Social Unrest.” Cultural Studies 36, no. 4: 624-643.