Skip to content
Start main Content

People
Teaching Faculty

People - Teaching Faculty

Prof. PARK SaeHim

Prof. PARK SaeHim

Assistant Professor

Ph.D. (Art History & Visual Studies), Duke University
M.A. (Art History), University of Toronto
B.A. (Art History), University of Hong Kong

About Prof. PARK SaeHim

SaeHim Park is Assistant Professor of Cultural Studies in the Department of Cultural and Religious Studies at the Chinese University of Hong Kong. Her research spans visual and media studies, feminist and disability studies, and environmental humanities across the Asia-Pacific. As an interdisciplinary scholar-teacher, her embodied knowledge and community-based fieldwork serve as the foundation of her scholarship.

 

SaeHim Park’s first book manuscript, Girl Statue Rush: On Imaging Comfort Women, analyzes the humanitarian and visual logics driving the global circulation of the “comfort women” symbol and its neoliberal commodification in contemporary popular culture. Her second book project, Selling Ocean, draws from her training and practice as a professional scuba diver to examine how diving certification systems, military tourism, and media platform structure access to the ocean. It traces the privatization and aestheticization of underwater environments and their ramifications for the knowledge production, society, and the world. Her writings on art, media, and pedagogy have appeared or are forthcoming in Mortality, Art Inquiries, Journal of the Society for Asian Humanities, Capacious, and Feminist Formations.

 

Prior to CUHK, she was a tenure-track Assistant Professor of History at Xavier University of Louisiana, a Historically Black College and University (HBCU). She earned her PhD from Duke University in Art, Art History & Visual Studies, with graduate certificates in Information Science + Studies; Gender, Sexuality & Feminist Studies; East Asian Studies at the Asia-Pacific Studies Institute; and College Teaching. She received and declined postdoctoral fellowships from the University of Toronto, Duke University, Tulane University, Tel Aviv University, and Hebrew University of Jerusalem (2024), as well as publication grants and residential fellowships from the Bassi Foundation and the Sue-Je Lee Gage Sunlit Residency (2024).

 

She has served on Diversity, Equity, and Inclusion (DEI) committees of the College Art Association (CAA) and SECAC (formerly the Southeastern College Art Conference). At CUHK, she teaches courses in visual culture, environmental media, and digital/public humanities.

Show More
    • Art and Visual Media
    • Gender, Sexuality, and Feminist Studies
    • Ocean Studies and Blue Humanities
    • Disability Studies
    • Digital Humanities and Data Visualization
    1. Girl Statue Rush: On Imaging Comfort Women (First Book Manuscript)
      This book manuscript examines the global replication of the Girl Statue as a cultural phenomenon shaped by humanitarian impulse and neoliberal commodification, revealing tensions between gaze, witness, and the politics of representing historical trauma.
    2. Selling Ocean: Poetics and Politics of Underwater Access (Second Book Project)
      This book project explores how scuba diving’s transformation from military training to global leisure industry commodifies oceanic access while reinforcing racialized, gendered, and ableist norms through institutional protocols and embodied labor.
    3. Invented Ruins of Empire (Journal Articles)
      This project investigates the destruction, concealment, and reworking of Japanese and US imperial ruins across land and underwater sites of the Asia-Pacific to reveal contested negotiations over memory and heritage.
    4. Digital Media and Artificial Stupidity (Journal Articles)
      This project analyzes how immersive media and data visualizations construct illusions of clarity and objectivity while embedding algorithmic failures humorously known as “artificial stupidity” that obscure power relations.
    5. Crip Currents and Oceanic Time (Journal Articles)
      This project explores how oceanic rhythms materialize the lived experiences of disability and chronic illness, reimagining pain, care, and embodiment.
    1. Book Chapter: “Feminist Storytelling in Films Comfort (2020) and Twenty Two (2015): Vomiting Ak, Affective Interpellations, and Radical Chronologies in the Visual Activisms of Comfort Women,” in Contemporary Transnational Feminist Visual Activism and Gender-Based Violence, edited by Basia Sliwinska (Routledge, forthcoming in Autumn 2025).
    2. Journal Article: “Performing Recalcitrance: Film The Pregnant Tree and the Goblin (2019) beyond Social Death of Sexual Violence in the United States Military Camp-town, South Korea,” in “Death in Visual Culture, Visual Cultures of Death,” edited by Kaylee Alexander and Jessica Orzulak, special issue, Mortality 29, no. 2 (2024): 330-342.
    3. Exhibition Review: “The Shape of Time: Korean Art After 1989” Art Inquiries XIX, no. 1 (2024): 79-83.
    4. Lesson Plan: “Art and Performance in Independent Films. Zhang Mengqi’s “Self-Portrait” Series,” David M. Rubenstein Rare Book & Manuscript Library (Duke University, May 2022).
    5. Exhibition Essay: “Pipette For Louise: Political Artist Manifesto)” in Pipette For Louise: An Interview Project that Highlights Female Artists as Researchers, edited by Huiju Shin (Seoul, South Korea: Louise the Women, 2021), 189-192 (in Korean).
    6. Journal Article on VR Film (under review)
    7. Book Chapter on Environment and Masculinities of the Korean Diaspora (under review)
    8. Journal Article on Feminist Pedagogy of the US South (under review)
    1. Richard Charles Lee Postdoctoral Fellowship, The Asian Institute and the Centre for the Study of the United States, the Munk School of Global Affairs and Public Policy, University of Toronto, 2024-2027 (declined)
    2. Postdoctoral Fellowship, Asian Studies Program, Tulane University, 2024-2026 (declined)
    3. Postdoctoral Fellowship in Transnational Feminist Art History, Department of Gender, Sexuality & Feminist Studies, Duke University, 2024-2025 (declined)
    4. Harry Bloomfield Postdoctoral Fellowship, Art History, Tel Aviv University, 2024-2025 (declined)
    5. The Louis Frieberg Center for East Asian Studies Postdoctoral Fellowship, The Hebrew University of Jerusalem, 2024-2025 (declined)
    6. Sue-Je Lee Gage Sunlit Residency for Social Justice and Human Rights, 2024 (declined)
    7. Laura Bassi Scholarship, Publication Grant, Bassi Foundation, 2024
    8. von der Heyden Global Fellowship, John Hope Franklin Center, Duke University, 2023-2024
    9. Dean’s Award for Inclusive Excellence in Graduate Education, Anti-Racism and Social Justice Initiative, Department of Art, Art History & Visual Studies, Duke University, 2025