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Prof. PARK SaeHim

Prof. PARK SaeHim

Assistant Professor

Ph.D. (Art History & Visual Studies), Duke University
Graduate Certificates in East Asian Studies (Asian/Pacific Studies Institute); Gender, Sexuality & Feminist Studies; Information Science + Studies; College Teaching
M.A. (Art History), University of Toronto
B.A. (Art History), University of Hong Kong

About Prof. PARK SaeHim

SaeHim Park is an art historian and Assistant Professor of Cultural Studies in the Department of Cultural and Religious Studies at The Chinese University of Hong Kong. Her research spans contemporary visual and material culture, feminist and disability studies, and environmental humanities across the Asia-Pacific. As an interdisciplinary scholar-teacher, she approaches artists’ interviews and writings as critical sites of theory production, combining close reading, community-based fieldwork, and feminist citational practice.

 

Park’s first book manuscript, Girl Statue Rush: On Imaging Comfort Women, analyzes the humanitarian and visual logics driving the global circulation of the “comfort women” symbol and its neoliberal commodification in contemporary popular culture. Her second book project, Selling Ocean: A Cultural History of Underwater Access, examines the art and cultural history of geared diving in Cold War South Korea, analyzing how diving institutions and marine tourism shape access to the ocean through intertwined histories of militarization and privatization. Across her research, she is interested in the politics of memory and historical representation, gender-based and state violence, war ruins, salvage, and heritage debates across terrestrial and underwater environments, and critical and feminist pedagogies. Her writings have appeared or are forthcoming in MortalityArt InquiriesJournal of the Society for Asian HumanitiesCapacious, and Feminist Formations.

 

She was a Visiting Professor in the Institute of Media Arts at Yonsei University in 2026. Prior to joining CUHK, she was a tenure-track Assistant Professor of History at Xavier University of Louisiana, a Historically Black College and University (HBCU). She was awarded postdoctoral fellowships from the University of Toronto, Tulane University, Duke University, Tel Aviv University, and the Hebrew University of Jerusalem. Currently she serves as a member of the Committee on Diversity Practices at the College Art Association.

Show More
    • Visual and Material Culture
    • Memory, Trauma and Affect
    • Feminist and Disability Studies
    • Ocean and Environmental Humanities
    • Empire and Cold War
    • Critical Pedagogy
    1. “Grades as Governance: Ungrading and the Limits of Educational Mobility at an HBCU,” in “Feminist Visions and Struggles for a Gradeless University,” edited by Atia Sattar, Man Kaplan, and Stina Soderling, Feminist Formations (2026, Forthcoming)
    2. “Strategic Proximity in Virtual Reality Film Tearless (2021): The Ruins of the Monkey House, a Medical Detention Centre for United States Military Camp-Town Prostitution in South Korea” in “Objects of Contagion: Biohazards, Toxicity, and the Politics of Hygiene in Modern and Contemporary Art in Asia and Its Diasporas,” edited by Sophie Guo and Ari Heinrich, Journal of the Society for Asian Humanities (2026, Forthcoming)
    3. "Review of Eunsong Kim's The Politics of Collecting: Race and the Aestheticization of Property," Capacious: Journal for Emerging Affect Inquiry (2026, Forthcoming).
    4. “Feminist Storytelling in Films Comfort (2020) and Twenty Two (2015): Vomiting Ak, Affective Interpellations, and Radical Chronologies in the Visual Activisms of Comfort Women,” in Contemporary Transnational Feminist Visual Activism and Gender-Based Violence, edited by Basia Sliwinska (Routledge, 2025).
    5. “Performing Recalcitrance: Film The Pregnant Tree and the Goblin (2019) beyond Social Death of Sexual Violence in the United States Military Camp-town, South Korea,” in “Death in Visual Culture, Visual Cultures of Death,” edited by Kaylee Alexander and Jessica Orzulak, special issue, Mortality 29, no. 2 (2024): 330-342.
    6. “The Shape of Time: Korean Art After 1989” Art Inquiries XIX, no. 1 (2024): 79-83.
    7. “Pipette For Louise: Political Artist Manifesto)” in Pipette For Louise: An Interview Project that Highlights Female Artists as Researchers, edited by Huiju Shin (Seoul, South Korea: Louise the Women, 2021), 189-192 (in Korean).
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    Research Grants
    1. 2026-2028 Early Career Scheme Grant, Principal Investigator (PI), “Commodified Trauma: Global Afterlives of the Girl Statue, Memorial to “Comfort Women,” Research Grants Council, Hong Kong SAR
    2. 2026 Direct Grant for Research, First Round, Principal Investigator (PI), “Remembering Comfort Women,” Faculty of Arts, The Chinese University of Hong Kong
    3. 2026 Association for Art History Grant, “Testimonial Pink: Visualizing Domestic Violence”

    Academic Appointments and Honors
    1. 2026 Visiting Professorship, Institute of Media Arts, Yonsei University
    2. 2025 Dean’s Award for Inclusive Excellence in Graduate Education, Anti-Racism and Social Justice Initiative, Department of Art, Art History & Visual Studies, Duke University
    3. 2022 Ernestine Friedl Research Award, Department of Gender, Sexuality & Feminist Studies, Duke University
    1. CULS5328: Arts and Communities (MA in Cultural Management)
    2. CULS5212 Globalization and the Politics of Representation (MA in Intercultural Studies)
    3. CULS5209D Image, Gender, and Media in the Asia-Pacific (Special Topics, MA in Intercultural Studies)
    4. CURE4405 Digital Humanities and Data Visualization in Heritage Management (Curriculum Development, BA in Public Humanities)
    5. CURE3508 Museum Studies (BA in Public Humanities)
    6. CURE3404 Public and Community Art (BA in Public Humanities)
    7. CURE1400 Interpretation of Art (BA course in Faculty of Art)
    8. HIST/WMST1500 Visualizing Traffic in Asian Women (XULA Core Curriculum)
    9. HIST1040 Empire and Media Since 1500 (XULA Core Curriculum)
    10. ARTHIST381D/VMS382D Global Art Since 1945 to Present (Duke, BA in Art History & Visual Studies)
    11. ARTHIST390S Women in East Asian Art, co-teaching with Soohyun Yoon (Duke, BA in Art History & Visual Studies)
  • Fellowships and Residencies
    1. 2024-2027 Richard Charles Lee Postdoctoral Fellowship, The Asian Institute and the Centre for the Study of the United States, the Munk School of Global Affairs and Public Policy, University of Toronto (declined)
    2. 2024-2026 Postdoctoral Fellowship, Asian Studies Program, Tulane University (declined)
    3. 2024-2025 Postdoctoral Fellowship in Transnational Feminist Art History, Department of Gender, Sexuality & Feminist Studies, Duke University (declined)
    4. 2024-2025 Harry Bloomfield Postdoctoral Fellowship, Art History, Tel Aviv University (declined)
    5. 2024-2025 The Louis Frieberg Center for East Asian Studies Postdoctoral Fellowship, The Hebrew University of Jerusalem (declined)
    6. 2024 Sue-Je Lee Gage Sunlit Residency for Social Justice and Human Rights (declined)
    7. 2024 Laura Bassi Scholarship, Publication Grant, Bassi Foundation
    8. 2023-2024 von der Heyden Global Fellowship, John Hope Franklin Center, Duke University